The silent landscapes of sore architectures tested by time, like the heart dropsy of Adriano, who need care and shout to the world the desire to live witnesses an aura of beauty. And nothing is more fragile than the beauty of the area of archaeology. The lesson of the high Villa of Adriano in Tivoli has all the reasons in the memory where the architecture project is measured by the history and the responsibility of the architects is responsibility to the history of architecture, itself an expression of the conditions of a healthy realism constructive. Archaeology is authentic ancient architecture, arises that is, in its reason for being as open architecture to different responses to be back in the space of the contemporary city substance of things hoped for. Legacy that nevertheless composing a landscape whose glory extends the shadow of the tragic and slow dusk, without the proper meaning of buildings where architecture and memory overlap to be - as written by Aldo Rossi - a past that experience yet. Giorgio Grassi in the roman theater of Sagunto, as Alberti in the Malatesta Temple in Rimini, engages its poetic design in comparison with strict Roman Architecture that, like Adolf Loos, is the right size for unattainable perfection, complexity and coherence constructive. The sleek modernity of the Villa Savoye by Le Corbusier is correspondence in the archaic wooden framework of the Maison à Böreki Ortalica, archaeological model of the ancient turkish house. In the mythology of Homer the weight of the fathers find their spirituality in the gesture made by Ettore who takes off his helmet to be recognized by the child who gets up in the sky and allocated its precious heritage. As in the ruins of Pausilypon in Naples.